Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact

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Keywords	Aesthetic experience, Africa, Globalization, Photographs, Pluralism
Persistent URL	dx.doi.org/10.1002/9780470776636.ch4
Citation APA Style AAA Style APA Style Cell Style Chicago Style Harvard Style IEEE Style MLA Style Nature Style Vancouver Style American-Institute-of-Physics Style Council-of-Science-Editors Style BibTex Format Endnote Format RIS Format CSL Format DOIs only Format	Phillips, R. (2008). Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact. In Museums After Modernism: Strategies of Engagement (pp. 80–103). doi:10.1002/9780470776636.ch4

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