Additional Metadata
Keywords Aesthetic experience, Africa, Globalization, Photographs, Pluralism
Persistent URL dx.doi.org/10.1002/9780470776636.ch4
Citation
Phillips, R. (2008). Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact. In Museums After Modernism: Strategies of Engagement (pp. 80–103). doi:10.1002/9780470776636.ch4