Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact

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Keywords	Aesthetic experience, Africa, Globalization, Photographs, Pluralism
Persistent URL	dx.doi.org/10.1002/9780470776636.ch4
Citation APA Style AAA Style APA Style Cell Style Chicago Style Harvard Style IEEE Style MLA Style Nature Style Vancouver Style BibTex Format Endnote Format RIS Format CSL Format DOIs only Format	Phillips, R. (2008). Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact. In Museums After Modernism: Strategies of Engagement (pp. 80–103). doi:10.1002/9780470776636.ch4

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