The observation by Siegfried Kracauer, one of the leading sociologists of the twentieth century, that the Nazis were more skilled than the Americans and British in the use of cinematic devices in newsreels for war propaganda purposes was thought-provoking in its day. It still prompts critical engagement with the texts under consideration, even as recent scholarship has adopted a more nuanced position with regard to the Nazi use of persuasive media. A comparative study of Anglo-American and German newsreels produced during the Second World War, with an emphasis on their use of music and sound, both questions and extends Kracauer’s hypotheses within the sonic realm. Music continues to serve the function of adding an affective voice to images in news media, which still count war reportage as one of their primary audiovisual vehicles for persuasive purposes.

Additional Metadata
Persistent URL dx.doi.org/10.1080/01411896.2019.1568153
Journal Journal of Musicological Research
Citation
Deaville, J. (2019). Pitched Battles: Music and Sound in Anglo-American and German Newsreels of World War II. Journal of Musicological Research. doi:10.1080/01411896.2019.1568153